-One videofile, shot between 2 and 6 pm.
-The speed of playback of this file, which is synchronised manually to the music.
-Approximately 50 different masks, which define where the underlayed movie is going to appear on the screen. This makes it possible to have multiple light situations in the same moment.
The concept is expertly executed:
The sunlight caught from the building is the "natural" palette for the entire colors of the clip and its up there with some of our favorites here on du.